Director Baumgarten had Christina Schmitt and video artist Robi Voigt build an analog-digital cabinet of curiosities for fast image changes and transitions – FAZ
The lighting direction and the use of cinematic elements are quite outstanding, which translate the labyrinthine nature of the novel very impressively in visual terms – BR klassik
Nightmare scenarios with the impression of expressionist silent film backdrops, perfectly composed from real stage constructions and sophisticated light and video projections. – NZZ
Brilliant video projections by Robi Voigt – oper aktuell
The stage itself becomes a projection surface for an audiovisual totaltheater. – NZZ
Bravissimi!!! – SZ
Virtuoso blending of video projections and real stage performances – NZZ
The composer Roman Haubenstock-Ramati is someone who has almost disappeared from the world of music. The musician of Polish-Israeli descent, who died in 1994, lived in Vienna as a music editor and composition teacher after Kafkaesque periods of flight and exile. His main work is a music theater based on Kafka’s Amerika, which premiered in Berlin in 1966 and enjoys legendary status. The work has only been performed twice since its premiere, but as a bold musical theater design it is nevertheless one of the milestones of opera composition in the 20th century. Amerika combines compositional precision with a great freedom of form. Haubenstock-Ramati combines the stages of the Kafka novel into breathtaking mobiles of sound, image, action and light, with the auditorium also being integrated into the performance through sound projections.
Oper in zwei Teilen von Roman Haubenstock-Ramati (1919-1994)
nach dem gleichnamigen Roman von Franz Kafka
Libretto von Roman Haubenstock-Ramati
PREMIERE: 3.3.2024 / Opernhaus Zürich
Musikalische Leitung: Gabriel Feltz
Inszenierung: Sebastian Baumgarten
Ausstattung: Christina Schmitt
Choreografie: Takao Baba
Lichtgestaltung: Elfried Roller
Video: Robi Voigt
Klangregie: Oleg Surgutschow
Sounddesign: Raphael Paciorek
Dramaturgie: Claus Spahn
Fotos: (c) Herwig Pramme