Robi Voigt

MEDIA ART | VIDEO, STAGE & LIGHTING DESIGN

DIGITAL FRAGMENTS – A Synthetic Collection Remix

DIGITAL FRAGMENTS — A Synthetic Collection Remix transforms works from the collection of Aargauer Kunsthaus into a synthetic image system. Fragments of the collection are filtered, displaced and recomposed into a spatial world in constant transformation: a moving field of images, language, sound and sculptural traces.

6. Oktober 2026

DIE WALKÜRE

Director Paul-Georg Dittrich presents Die Walküre as an intense psychological chamber drama that brings to life Wotan’s experiment on his children. Musically, Wagner’s score is brought to life by conductor … Weiterlesen →

11. Mai 2026

Der Freischütz – Albtraum für Deutschland

In this regard, Robi Voigt’s superbly crafted videos are in a class of their own. With defiant candor, they openly acknowledge their seductively manipulative intent by skillfully targeting clichés embedded … Weiterlesen →

8. Mai 2026

RCE

Winner of the German Faust Theater Award 2025 in the Media category.
Winner of the “Production of the Year” award in the Theater heute critics’ survey.

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21. November 2025 · Hinterlasse einen Kommentar

DAS RHEINGOLD

Time and space emerge from a deep E-flat major chord, and a world of gods, dwarves, giants, and nature spirits unfolds on the waves of the Rhine. But this paradisiacal … Weiterlesen →

12. November 2025 · Hinterlasse einen Kommentar

ARIADNE AUF NAXOS

“Transformation” is the magic word in Hofmannsthal and Strauss‘ third major collaboration, Ariadne auf Naxos. Originally conceived as a sequel to Molière’s comedy Der Bürger als Edelmann (The Bourgeois Gentleman), … Weiterlesen →

14. September 2025 · Hinterlasse einen Kommentar

QUANTUM NATURE

2024–2025, in collaboration with data scientist Tobias Wursthorn DIGITAL BOTANY & SPECULATIVE ECOLOGY. QUANTUM NATURE begins with the historical herbarium of Franz Joseph Lagger (1799–1870), comprising around 18,000 preserved plant … Weiterlesen →

11. Juli 2025

QUANTUM THEATRE

An audiovisual installation in which text, image and voice merge into a synthetic theatrical space. Developed from archival material of recent productions at Volkstheater Wien, the work reimagines theatre as a generative system: a place where scenes, bodies, voices and atmospheres are recomposed by machine-based processes.

19. März 2025

VILLA ORLOFSKY

A champagne dream between intoxication and catastrophe. To mark the 200th birthday of the Viennese waltz king, director Paul-Georg Dittrich focuses on the exuberant second act of Johann Strauss‘ DIE … Weiterlesen →

19. März 2025

DIE LETZTE VERSCHWÖRUNG

Non-stop, wild, imaginative videos… – Merkur Massive omnipresence of virtual worlds on multiple screens. The brave new world is omnipresent. – Concerti Friedrich Quant, a successful TV presenter, is tempted … Weiterlesen →

31. Oktober 2024